I hope everyone is in good health and doing well. Last week I published an outstanding 1959 aerial from my mother, Sandra Henderson Thurlow’s Shanley Collection entitled Looking Wide West 1959 Aerial~South Fork to Lake Okeechobee. It was very popular, so today, I wanted to post the four remaining aerials that make up that collection. All of the photos are remarkable documenting a “time gone by.”
I find the photos really interesting to look at…
What do you see? What don’t you see? How would you develop it, or not develop it if we could start over? Me? I would never have cut that C-44 Canal connecting Lake Okeechobee to the St Lucie River!
Since a picture speaks a thousand words, I’ll stop here and let you begin your visual tour of yesteryear.
“~One with Roosevelt Bridge in the center is Feb, 9, 1971
~The on showing the South Fork and the new Turnpike is Dec. 5, 1957
~The one looking all the way to Lake Okeechobee is Oct. 26, 1959.
~The one looking from Palm City toward the airport and inlet is Jun. 13, 1957.
~The one looking along Dixie Highway A1A and US 1 toward the ocean is Dec. 19, 1958
The donor is William Shanley who used to live in the Stucco house across from the Quisenberry property on Sewall’s Point. He was in real estate and he and Dan Deighan bought the Real Estate office of C. O. Rainey on Colorado that had the aerials on the wall.” ~Mom
Below: (L) Area where St Lucie Canal (C-44 Canal) connects to the South Fork of the St Luice River. Here one can also see the New Turnpike, the “Sunshine Parkway,” and how beautiful the remaining wetlands were in the area of the South Fork. December 5, 1957.
Below: An “old” Roosevelt Bridge, connecting the shortest distance over the St Lucie River; North River Shores over the bridge and west is already developed with canals; Lighthouse Point is being built (L) in Palm City; most of Rio is empty to the east of US1 to the ocean; Stuart is built out as it is the County Seat and the heart of Martin County and our history. February 9, 1971
Below: Looking from Palm City to the Airport. Hutchinson Island’s Indian River Plantation and Sailfish Point are not yet developed. The glaring white sands of the Stuart Causeway can be seen at what will become the Ernest Lyons Bridge (A1A) connecting Sewall’s Point to Hutchinson Island; seeing lots of greenery we can tell Sewall’s Point had many river to river estates remaining; in 1957 the town did incorporate and subdivision followed; Cabana Point Circle jutting forward is clearly seen as white fill in the St Lucie River south of the Palm City Bridge. Dredge and fill was not outlawed until the 1960/70s as its destructive environmental issues became clear especially for the marine environment. June 13, 1957.
Below: Dixie Highway A1A and US1 looking towards the ocean one sees that the Hobe Sound area is wide open and natural. Dixie Highway was the most traveled prior to US1 (R) Note the fires burning in the upper right corner. Sugarcane? Burning tree trunks? Something else? December 19, 1958
The creative seed for this blog post dates back to 2011. On November 1st in 2011, my mother forwarded Bill Lyons, son of famed Stuart News conservationist and newspaperman, Ernest Lyons, an email that had been sent to me by Mrs. Sheri Anker of the St Lucie County Conservation Alliance. Sheri had come up with an idea to erect a series of signs throughout the St Lucie River highlighting the favorite spots that “Ernie” so passionately and lovingly wrote about throughout his career.
The following essay is Ernie’s son Bill’s response to my mother’s inquiry for guidance on creating a historic Ernie Lyons’ St Lucie River tour, as Sheri envisioned: “Travels with Ernie on his Rio de Luz.”
Bill’s reply was insightful, poetic, and bittersweet. Bill updated the piece in 2014 -after reading about the St Lucie’s “Lost Summer” of 2013, the tipping point causing a tsunami river movement resurgence that even from the grave, through republished essays in the Stuart News, was inspired by the spirit of Ernie Lyons. Recently my mother rediscovered Bill’s essay in her files and now seems like a good time to rethink the sign idea.
It is my wish that after we read Bill’s tribute to his father, we follow through on Sheri’s idea for signage along the St Lucie River. Indeed, it is difficult to mark what is “favorite” when you love it all, but one thing is certain, we must ensure that our beloved river and the spirit of Mr. Ernest Lyons continues so that “progress” in the future won’t mean a bulldozer.
Favorite Places on the River, by Bill Lyons
Ernest Lyons, my father, first came to Stuart, Florida in 1913 and lived there for most of his life. He worked at the Stuart News for 40-some years, retiring as editor in 1975. Dad loved to fish and above all he loved the St. Lucie River, an affection evident in his writings. A few years ago an admirer of that writing suggested erecting signage at Dad’s favorite places on the River. This is my response.
Dad’s favorite places changed with the moods of the River. For instance, I’m fairly sure North Fork Bay wasn’t his favorite place the day he couldn’t find shelter there from what he called a Blue Norther. He had gathered my mother, my sister and me in his boat and set off up the River to look at a piece of land. It rained and blew all the way up the River, abated for a while as he walked over the property, and then poured buckets all the way back to Stuart. Dad never owned a boat with a cabin or a cover, and I don’t recall that Mother ever got into one of his boats again.
Dad really did love the North Fork, though. Willard Kiplinger commissioned Florida artist Beanie Backus to do a painting for Dad – “Just contact Beanie and tell him what you want” — so Dad requested a view from the shore where the narrow North Fork opens out into North Fork Bay. Beanie took a boat out there, sketched the scene, and the finished painting hangs in our home today. Many times in the nineteen forties and early fifties, Dad drove us to Burt Pruitt’s Fish Camp, rented a skiff, and motored down to where two branches of the North Fork converge. The River then was alive with fish and birds and alligators, but by the late fifties, it was gone. Drainage from the Rim Ditch Canal (C-24) did so much damage to that part of the River that it lost its sparkle. I don’t think Dad ever went back to the North Fork; after that, he just lived with the memories.
When Dad wrote about festoons of asters along the banks and sprays of orchids hanging from oaks over the River, he was thinking of the South Fork in summer. He took me there many times and we caught lots of fish, but the magical memories are of the flowers and of the tarpon and manatees that came rolling by while we sat quietly watching. During summer, sheet-flow from the Allapattah Flats converged in tiny rivulets into a deep pool with a sand bottom, the first of a series of pools connected by shallow streams of clear water that formed the headwaters of the South Fork. Dad loved that place, not just for its beauty but for its solitude. It could only be reached by Jeep during the wet season, so we hitched rides with the local game warden, who would drop us off and return for us later. Clyde Butcher’s photos of the upper Loxahatchee River are the nearest thing I’ve seen to what once was the upper South Fork. Then in the fifties, construction of the Florida Turnpike cut off the flow of freshwater to the River. Soon saltwater intrusion crept up the South Fork, impeding the spawning of its fish, and the River began to die. In 1962, a friend and I drove to the former site of the headwaters. The area had been bulldozed and the pool had become a cattle watering hole.
Dad loved many places on the River. Some nights he would drive over to Lighthouse Point (the one with the restaurant on US 1, not the development). He took a lantern, a single-tined spear, and a croaker sack and went wading for flounders. He knew just where they would be, hanging at the edge of the bar waiting for unwary fish and shrimp to wash by. A few hours later he would come home, dump a bag of flounders into the kitchen sink, and start cleaning them. Then the mud from Lake Okeechobee washed down the River and the flounders went away.
Dad loved the widest part of the River, where vast schools of mullet gathered along the north shore. Tarpon and snook, seatrout and jack crevalle would attack the mullet and drive them grey-hounding in waves across the River, often all the way to the shores of Stuart. Interactions between Plains wolves and bison were no more dramatic. Much of the action happened at night as we lay in our beds, listening to the mullet thundering across the River. When hurricane season approached, immense schools of fingerling mullet moved down the River, sometimes taking several days to pass Stuart. They too ran the gauntlet of snook and jacks, and residents flocked to the shore to fish. Who then could not love the River, unless he were a mullet?
In my early years, Dad loved the lower St. Lucie around Hell Gate, that part of the River that separates lower Sewall’s Point from Port Sewall. Again, it was the fishing that brought him there. When winter storms blew, he could find shelter in the lee of Sewall’s Point, and that’s where he would be, trolling for bluefish or bottom-fishing for weakfish. After the months-long runoff from the ’47 and ’49 hurricanes, though, the fish did not return.
Where the River rounds Sewall’s Point it meets the Indian River Lagoon and together their waters flow over large seagrass beds on their way to St. Lucie Inlet. Dad loved casting for large seatrout on the grass flats, and it was there that he and I were fishing in Dale Hipson’s iconic photo that graces one of Dad’s books.
And of course he loved the inlet, where the River meets the sea. Dad was enchanted by the place he called the Sun Parlor, the channel that hooked north around Sailfish Point and spread out to feed the adjacent grass-beds. Ancient black and red mangroves hung in the water along the channel, and sheepshead and snappers could be seen swimming among the snags in the gin-clear waters on flood tides. Sharks were not uncommon in the channel, and queen conchs and large horse conchs lived in the grass-beds. If you wanted to see a roseate spoonbill in Martin County in the fifties, that’s where it would be. Dad spent countless hours in the Sun Parlor. Then the developers came in the late fifties, and it was lost.
Dad loved Bessey Creek, a tributary of the lower North Fork, and once in the early fifties he accompanied me and two other boys on a camping trip to the upper reaches of the creek. Around the campfire at night, Dad told us of a remote pond connected to the main creek by a hidden stream that he found in his youth. We boys searched until we found it, and we took Dad back there to fish. Judging from the abundance of hungry bass in that pond, I don’t think anyone had been there for decades. There were no houses on Bessey Creek then, and we could spend days without seeing another human being. But around 1960 the county built a new road to extend Murphy Road across C-23 Canal. The road cut across upper Bessey Creek virtually on top of our old campsite and passed within 100 yards of the hidden pond. When I returned from the Army in 1962, I walked across a sand lot from the road to the bank of the pond and gazed at the empty bait cups and beer cans on its shore. Humpty Dumpty was off the wall.
Aerial maps suggest that Mile Lake and a few adjacent lakes in southern St. Lucie County may be ox-bows, formed as part of the North Fork but pinched off as the River meandered away. In his boyhood Dad camped and fished around Mile Lake, and he took me there many times. I don’t know if Dad knew Mile Lake had once been part of the River, but it may explain his affection for the place. He loved the River in all of its many parts, but I don’t know how he’d have felt about Mile Lake surrounded by homes and golf courses as it is now.
Dad had a love/hate relationship with the St. Lucie Canal. Its discharges damaged the River downstream, and he campaigned tirelessly but futilely for the Army Corps of Engineers to manage it responsibly. Still, when many of his favorite places were gone, fishing remained good in the canal, and Dad could drive out and fish along its banks. Then, testing found some of the nation’s highest readings for pesticides and heavy metals in fish from the canal. That’s when Dad gave up fishing.
If anyone were to put up signage at Dad’s favorite places on the River, they would need lots of signs. And the signs should say “This was one of Ernest Lyons’ favorite places, a place of magic, until progress did it in. Sit quietly, look closely and try to imagine the sparkle that once was here.” If you can’t see the sparkle, it just looks like water. Or, more recently, like guacamole.
~Bill Lyons, son of Ernest Lyons
Biography of Bill’s father, Ernest Lyons
Florida Newspaper Hall of Fame, Ernest Lyons, 1994
Lyons began working as a reporter for The Stuart News in 1931. He also worked as an advertising salesman, printing salesman, then as advertising director for the paper. He became editor in 1945, serving until his retirement on March 1, 1975. He died April 6, 1990, at age 85.
Under Lyons the paper grew from a tiny independent weekly to a lively Scripps Howard daily. As editor, Lyons practiced community journalism at its best. He had a keen sense of what local people wanted to read and a zeal to guard their interests. Fearing that rapid population growth and urbanization might ruin coastal Florida, Lyons fought for protection of endangered water resources and wildlife habitats.
In 1965, his newspaper columns won the nationwide Edward J. Meeman Award for conservation writing. His writings, some composed 30 or more years ago, still are quoted by conservationists because they ring with enduring concepts and timeless values.